I have a problem with reviewers of photographic equipment.
Whenever they review inexpensive equipment, they intentionally portray it in the worst way possible, because if they actually put in an effort and tried to get the best possible results out of a camera or a lens, the results would most likely be excellent, far beyond the ability to discern between an expensive and a cheap lens, and then one would be justified in asking what is the point of buying that ten times more expensive lens, which wouldn’t sit well with equipment manufacturers who sponsor the reviewers. So, when they review an entry level camera, they make nondescript snapshots, and when they review professional-level equipment, they put in an effort and make very good pictures.
I actually did an experiment once, between 2012 and 2016: I used an entry level camera with an entry level lens, Olympus E-PL1 with the m.Zuiko 14-42mm f/3.5-5.6 collapsible kit lens. This means I used it both hand-held and on a tripod, with a polariser and ND64, working with a very meticulous methodology for landscape photography. The results speak for themselves.




The problems arise when you want to print big, because yes, that lens is actually soft. However, you can obviously produce good results with it if you actually take photography seriously while using it. The problem is, apparently, that people don’t follow correct methodology when using cheap equipment, because “why bother”. As a result, you get reviews of kit lenses that produce pictures that look like shit, followed by a strong suggestion that a serious photographer should not bother with those, and should rather upgrade to “something serious”.
This has an unfortunate consequence of people overspending on equipment, and, if they don’t have the money, they feel they are missing out on “real photography” because they can’t afford professional gear.
This is an unexpected position from someone who actually has professional equipment; however, I know what I bought it for. When I went to the Plitvice lakes, I used almost exclusively the 24-105mm f/4 lens, and it worked great; everything was absolutely sharp. Getting everything sharp is actually super easy and inexpensive. The snobs make it sound like it’s some great achievement, but it’s not. For the most part, the expensive lenses are needed when you want almost nothing sharp.
For getting everything sharp, you need knowledge of theory, meticulous technique, and willingness to work very slowly and patiently. Yes, you need good equipment, but in this case “good” can be had very inexpensively. An old 4/3, APS-C or 35mm camera with 12MP of resolution or more. A decent kit lens. A tripod. A circular polariser and a ND filter. Wired release. Some money to go places where there’s something worth photographing. That’s it.
Sure, when you have specific things you want to do, there are lenses and cameras that answer those questions, but in order to even get to the point where you have those questions, just throwing money at the problem isn’t going to improve anything.





